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Slide 1
Don't Miss Out!
THE NEW TRADITION BOOK

Peter Eastway's inspirational photography book, full of ideas and techniques - guaranteed to improve your photography. Take $30 off with coupon code TNT30
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Great Landscapes
TECHNIQUES FROM A MASTER

Peter Eastway shares his capture and post-production skills in an extensive MasterClass. Learn at your own pace, online or download. And take 50% off with coupon code NEWS2021

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The Ideas Library
BETTER PHOTOGRAPHY MAGAZINE

Four times a year, Better Photography magazine will give you an injection of ideas, inspiration and techniques! Support us by subscribing now - and get immediate access to our archive of over 50 magazines!
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Sport and wildlife photographers have been debating the merits of two new cameras and their associated lenses, the Canon EOS R5 and the Sony a1. Sure, there are other cameras that are great for sport and wildlife, but it seems to be these cameras that are attracting most of the attention. Why?

These cameras provide a wonderful combination of high resolution, fast frame rates and accurate autofocus, especially when the subjects are humans or animals. Now, if you already have a different camera system, you’re unlikely to sell-up and purchase one of these because it would also require you to purchase new lenses and accessories. On the other hand, if your photography is focused on wildlife or action, then investing in one of these cameras, even to the extent of swapping systems, could be a good long term investment.

Long term? Well, there’s no doubt there will be better cameras out next year, but what the R5 and a1 offer is so good, how much more do you need? And much of the autofocus speed and functionality is based on algorithms that can be upgraded, so some advances you have to believe can still be made.

While three frames per second was considered pretty good in the early days of film and motor drives, shooting at up to 30 frames per second with a modern mirrorless camera offers action and wildlife photographers some huge advantages. Skilled photographers would pride themselves in capturing the peak of the action with a single shot, no matter what their subject was and while there’s no doubt they shot some amazing moments, I can’t help wondering about all the other moments they missed! Given the choice, I’d happily shoot 30 frames a second for two or three seconds, knowing I was guaranteed getting exactly the right frame.

What about you? What else do these cameras offer? You can read all my thoughts in the current issue of Better Photography (Issue 105). Click on the link below to subscribe - plus you get immediate access to 50 back issues full of informative material and inspirational ideas! Use coupon code BP40 to get 40% off - just $29.88 for an annual subscription.

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