Tufi Warrior, Papua New Guinea, 2011
Phase One 645DF, Phase One P65+ back, Schneider Kreuznach LS 80mm f2.8 lens, 1/50 second @ 2.8, ISO 400, hand-held, no filter
In 2006, I was awarded the title Grand Master of Photography by the Australian Institute of Professional Photography. I must say I am not enamoured by the name, but the sentiment is greatly appreciated. Working as an artist or a photographer, the question we always ask ourselves is whether our work is valid. Simply speaking: “Are my photos any good”?
On a professional job, there is rarely a direct comparison to be made. You are the only photographer, so as long as you produce something, chances are the client will accept it, but is it any good? How would other photographers approach the same shoot? Are your clients the best judges? There are many different ways you can create photographs that have merit.
Entering the AIPP Australian Professional Photography Awards (APPA) every year since 1984 (but alas, 2019 was the last as the AIPP has now closed), I have four of my best photographs assessed by five professional photographers. In the beginning, these judges were my mentors; in later years they have been my peers. And while I might not always have agreed with the result, the judging process was fundamental in establishing the quality of my work in my own mind.
Successful prints earn Silver awards and one ‘merit’ point; occasionally, very successful prints earn Gold awards and two merit points. You collected merit points to advance within the AIPP: five merits for Associateship, a further 10 merits for Master of Photography. For every additional 10 merits, you received a Gold Bar.
And if you enter for long enough, eventually they run out of awards to give you and so you are presented with a Grand Master of Photography: 65 merit points. However, within those 65 points there must be at least five Gold awards (90% or higher) and ten Silvers with Distinction (85-89%). So, while the title is a little lofty, the acknowledgement behind it has given me some confidence in the work that I produce.
Perhaps the most important aspect of the AIPP awards process is knowing when to step aside and trust your own intuition. For photographers in the early stages of their career, APPA was a wonderful benchmark, but it is not the only benchmark in the world. As you gain experience, you learn what images to enter to APPA and what images to put aside. While styles and techniques change over the years, there was a ‘flavour’ to an APPA award. Once you master this, it’s time to move in new directions – but with the confidence to do so.
This image was never entered into APPA as it is a portrait and I felt I had stronger chances in landscape! But I like it! Of course, it also brings back memories of he and his young son jumping out of the jungle and scaring the sH1t out of us! Perhaps that colours my thoughts as well.
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