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Better Photography Online Edition

Better Photography is available four times a year (at www.betterphotographyeducation.com) as an online read or you can download it to your device for offline reading.

Huge Digital Archive Resource!

When you subscribe to the paper edition or the full online subscription, you have immediate access to over 45 magazines online! There's lots of amazing content and ideas to enjoy and learn from.

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If you like reading a physical magazine printed on paper, subscribe to our paper edition and receive the online subscription as well!

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Recent Blogs from Better Photography


Click on the headings to read the full article.

Australia - A Photographic Journey

If you visit Canberra from time to time (or you are an ACT resident), you may have seen Scott Leggo's gallery. Scott has certainly built up an impressive portfolio of images around Canberra and the Snowy Mountains, but it wasn't until I purchased his book Australia - A Photographic Journey that I learnt his portfolio extended across the entire continent.

Priced at $75 (including delivery in Australia), the premium quality, hard cover coffee table book has 224 pages and approximately 200 photographs. It is a wonderful example of highly-coloured landscape photography that meets a market. It's not designed for other photographers as much as it is for the tourists - or for Australians wanting to send a gift overseas. When you put the book into this perspective, Scott really has done a great job.

So, why should another photographer purchase the book? Research! Inspiration! Ideas! I have to say my favourites are the alpine areas in winter and I must get myself down there again. I used to camp out overnight and go ski-touring, always taking a camera with me, but never capturing it quite the way Scott has. He has found some magnificent light - and so research alone is a good reason to support a fellow photographer!

Further details can be found on Scott's website here: https://www.scottleggo.com/products/book-australia-a-photographic-journey-by-scott-leggo

Dots of Life

Robyn Hills and I go back many, many years. She was not only an AIPP Australian Professional Photographer of the Year, she handled the publicity for the AIPP for a few years and I have her to thank for finding myself on television, being interviewed by the late Bert Newton after I won the same award. 

Robyn has recently published a small book called Dots of Life, Aboriginal Artists of Central Australia. Its 250 pages contain 100 portraits of Aboriginal artists, 100 Indigenous paintings and 14 superb landscapes. The rocks at Juka Juka, north-west of Yuendumu are remarkable, but so are the paintings by the artists and a wonderful source of inspiration in terms of colour and design. Aerial photographers will be very interested! So will portrait photographers interested in doing a project of their own - lots of reasons to purchase a copy and help out a photographer who has published a book!

The book comes in a choice of soft ($54) or hard cover ($87), the latter including a presentation box (156x218x23 mm), it's printed in Australia and Robyn says it would make a perfect gift. Further details can be found on her website at https://robyngraphs.com.au/products/aboriginal-artists-of-central-australia-dots-of-life/

Sugarloaf Rock from The New Tradition

Western Australia, 2007. Phase One 645AF, Phase One P45+ back, Mamiya 28mm f4.5 lens
30 seconds @ f8, ISO 50, tripod-mounted, 10x ND filter

Digital allows the craftsperson to work in many different ways to produce a technically proficient outcome. While some aspects of capture cannot be changed, thinking the problem through with post-production, as additional yet integral steps, becomes the solution.

Sugarloaf Rock is a popular subject for landscape photographers. It sits in Christian Fletcher’s backyard and he usually has several versions hanging in his Dunsborough gallery. On this occasion, Tony Hewitt and I were returning from an early morning shoot, but decided to take a detour before breakfast.

The weather over the coast was pretty wild, with strong winds and rain squalls. As we walked up to the lookout, the sun broke through the clouds behind before we were hammered by rain. As we ran back to the car to avoid a proper soaking, I was thoroughly disappointed there wasn’t time to capture the photograph. I’d taken a quick snap with a compact camera, but it was so fleeting there wasn’t time to pull out the medium format camera.

The weather passed through quickly and so we wandered back to the lookout with our cameras and tripods. The light wasn’t the same, but we went through the motions of setting up a few photographs. And then the unbelievable happened: another rain squall appeared on the horizon.

I had my camera locked down on the tripod and took a few photographs with a fast shutter speed – around 1/250 second. Everything about the image was tack sharp, including the sea and the clouds, but there was no emotion.

The Mamiya 28mm lens had a bulbous front element which made it difficult to attach filters, so the solution was to drop a gelatin filter into a holder behind the lens. This required one to take the lens off the camera, drop in the filter, and then reattach the lens. The complication was that as I was using a 10x neutral density filter, I wouldn’t be able to refocus the lens once the filter was in place. So, I needed to pre-focus the lens before inserting the filter, making sure I didn’t alter the focus in the process. (Hasn't mirrorless made this process so much easier!)

Somehow, I managed to get the lens back onto the camera just as the squall hit. Tony held the legs of the tripod while I pushed down on the top of the camera, trying to keep the camera as still as possible for the 30-second exposure. But it wasn’t possible.

The 30-second exposure had all the emotion I wanted, but the vibration and movement of the camera had slightly blurred the image. The camera might only have moved one or two pixels while the shutter was open, but this was enough to blur Sugarloaf Rock.

However, during 30 seconds, the clouds and waves moved so much that a little bit of camera shake wasn’t visible in these areas of the image. Using the 30-second exposure as a base image, I superimposed the 1/250 second exposure on top in Photoshop. Then using a precise mask, I painted the sharp areas of rock into the blurred, emotive exposure below.

When taking long exposures with high resolution cameras, it doesn’t take much movement to blur the result. Even a little wind or road vibration can cause just a hint of image degradation and so as a matter of practice, I always take a safety shot with a fast shutter speed, so the parts of the image that need to be sharp will be sharp! This process requires extra time in post-production, so a sturdy tripod is a superior solution.

And the figure on the shoreline? I tell everyone that’s Tony. 

Need a good read? Like to learn something more about photography? Interested in new ideas? Why not purchase a copy of my book, The New Tradition, which is full of great tales and ideas. It has 100 photographs and accompanying stories guaranteed to enthrall you - and you can save $30 on the purchase price right now - use coupon code TNT30. Check out more on the www.betterphotography.com website.

STOP PRESS: There's a special Better Photography Magazine subscription deal - buy The New Tradition before Christmas as outlined above and we'll add in some 'festive cheer' with a year's online subscription to Better Photography magazine and its archive of over 50 magazines. What a great Chrissy present for yourself!

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